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Friday, December 27, 2013

IS MODERN ART REALLY ART?

Dead animals, elephant dung, unmake beds and rice all seem the like habitual objects but should we be calling them artistic invention? When we were growing up we were taught that art was a beautiful moving picture - like forefront Goghs Sunflowers, or a perfect carving of a piece - like Michelangelos David, but we were never genuinely taught that conceptual and contemporaneous art were fitting forms of art, purge though it was established in the sixties. It made us destine and challenge our possess assumptions of what art should really look like. People didnt understand the mood of cows cut in half (Damien Hirst), wire manoeuver lockers (Mona Hatoum), rubble (Richard Long) or wish-wash (Tomoko Takahashi) being called art unless you could draw it nicely on your living room wall. The fact that this sheath of art didnt fit neatly into peoples ideas of what art should be was the flat coat it was called conceptual. Conceptual and contemporary art got a huge res ponse out of people because they felt conned and marginally embarrassed when, for example, they looked at Martin Creeds light going on and wrap up and didnt cook up it. They didnt like the fact that they couldnt work out the straight subject matter of what the artist was trying to beat across. It also got a reaction for another reason which was the simplicity of some of the art. Im confident(predicate) that when all the people who were working long hours every calendar week looked at the well-paid artist Tracey Emins unmade bed they were desperately squall to themselves, entirely I COULD DO THAT! and thinking whether conceptual art is even worth looking at.
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